نوع مقاله : مقاله پژوهشی Released under (CC BY-NC 4.0) license I Open Access I
نویسندگان
1 دانشیار زبان و ادبیات فارسی، دانشگاه علّامه طباطبائی، تهران، ایران..
2 کارشناس ارشد زبان و ادبیات فارسی، دانشگاه علّامه طباطبائی، تهران، ایران..
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Cultural semiotics is an approach employed to trace and interpret culture; thus, the reading of literary texts can play a crucial role in this endeavor. This study utilizes Yuri Lotman’s model of order and chaos, employing qualitative analysis and library-based research, to examine the concept of culture and its components in two poetry collections, Tefli be Nām-e Shādi (A Child Named Joy) and Name-i be Āsmān (A Letter to the Sky), by Mohammad-Reza Shafiei Kadkani. The study highlights the significance of representing the interaction among culture, subculture, and counterculture in the poet’s work and elucidates the mechanisms of order and chaos within the semiotic sphere of his poetry. Findings reveal that cultural, subcultural, and countercultural codes in Shafiei Kadkani’s poetry, through their interaction or opposition, constitute order and chaos. Interaction between culture and subculture leads to chaos, the collapse of the old order, and the formation of a new cultural order; whereas counterculture either generates chaos or preserves the old order. Shafiei Kadkani’s poetic culture is characterized as a fluid and semi-open system that reconstructs meaning through dialogical engagement with subculture, thereby fostering a dynamic cultural identity. This process positions the poet as an agent who, through reciprocal interaction with the subcultural ‘Other,’ participates in cultural re-creation and resistance against identity crises. Ultimately, Shafiei Kadkani’s poetry offers a space for the reproduction of meaning and the maintenance of cultural vitality.
کلیدواژهها [English]
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